Kallol datta biography sample

He detests the words “trends” and “quirky” but Kallol Datta is a delight with his fierce views and un-Anarkali approach to fashion

By Asmita Aggarwal

Growing up as a young boy in Dubai, all what Kallol Datta wanted to be was an English newsreader just like his mom on Chanel But it was his love for cuss words which deterred him from becoming one, and with a banker father, he wasn’t left with much choice in terms of a career inspiration.

But what did interest him was design, so when the entrance for NIFT (Kolkata) was announced he reached there on the insistence of his mother and cleared it with flying colours.

“I went there without a pen or pencil had to borrow everything…but to tell you the truth NIFT was extremely stifling, a place where I was told to conform, and my views were not taken seriously.

Kallol datta biography sample pdf The pieces are a sartorial manifestation of his thoughts on seclusion, almost as if they were forming a cocoon; a response to the melancholic state of the world. Kallol is a guest columnist for The Telegraph, Kolkata and writes on request for other publications as well. Residency and SKE projects, Bengaluru. Kallol Datta.

Unlike Central Saint Martins’ UK (he got a degree in women’s wear) where free thinking is encouraged,” says Kallol.

What he is thankful for is the technical know-how that he attained as a student, whether it was pattern cutting or negotiating an ingenious sleeve or jacket, which he still does till today on his own, Kallol is your unpredictable schismatic.

“So when people call my clothes morbid or dark, it doesn’t affect me at all, at least my ensembles are eliciting an emotional response,” he adds.

Not one to mince words, this brutally honest recusant says that he disagrees with the whole, “I am dressing a strong, confident woman” as he retorts, “I don’t know what the hell that means.

I don’t dress ‘a’ particular kind of person. I have no one in mind really as my clothes are more about a social commentary. Plus, there are no segregations in my mind about age, character or profession, you can be anybody, if you like what I do, you will want a piece of it”.

Just as you are getting set to be mesmerised by this gem of Kolkata, Kallol will tell you that his fashion ideology is a bit of rebellion mixed with what he sees around him and absorbs.

Thankfully, he is tucked away in Kolkata far removed from Delhi’s party circuit, which gives him his panacea-anonymity. Though another word he detests is ‘trends’, which evokes an image in his mind of “two cartoons in suits sitting in a corporate office deciding on what will be in a woman’s wardrobe this autumn-winter and how to get her to spend money”.

So with no trend forecasting Kallol is a free man, he does what his mood dictates, but at least he is truthful to his label.

Kallol datta biography sample By Hannah Jackson. Time has led me to appreciate meaty collaborations be it with photographers, designers from their respective fields or galleries , to redefine collaborative alliances and to add to my body of work. Participants Supporters. After being exposed to bling during his formative years, he swore off it and the label is now known in India for relaxed silhouettes and signature prints.

“I don’t show 3 D on the catwalk and Anarkalis on the rack,” he laughs. That’s one of the reasons why he lived like a university student three years after he launched his label in (with his mother’s birth year along with his name Kallol ). “People thought Kallol will soon end his gimmicks and give us something we can actually sell. Soon they realised I wasn’t going to change, so they came around,” he admits.

Copying is another big problem for Datta, and he doesn’t think imitation is the highest form of flattery!

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“If people put prints of beer bottles, scissors and a plane and call it quirky, I think it’s ridiculous. What quirky about it? I think prints have a story to tell and that should be the focus,” he adds.

His autumn-winter story is all about how love and hate can co-exist beautifully together, and this metaphysical thought has been expressed through shapes and prints arranged in a certain form.

“ was a year where I was consumed by self-angst and this kind of gets reflected in my line in a palette dominated by blacks, greys and sepia tones. But I must add that I live in a bubble of my own, locked in my studio so my approach to things can get myopic at times, my biggest weakness, which is a tough call in fashion,” he concludes.

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