Fausto pirandello biography of rory
Fausto Pirandello
Italian painter
Fausto Calogero Pirandello | |
|---|---|
Fausto Pirandello (right) with his father Luigi (in the center) and his brother Stefano (left) in | |
| Born | 17 June Rome, Italy |
| Died | 30 November &#;() (aged&#;76) Rome, Italy |
| Nationality | Italian |
| Known&#;for | Painting |
| Notable work | Composizione con nudi e pantofole gialle Donne con salamandra |
Fausto Calogero Pirandello (17 June – 30 November ) was an Italian painter belonging to the modern movement of the Scuola romana (Roman School).
He was the son of Nobel laureateLuigi Pirandello.[1]
Biography
After a short experience in Paris, where he met the most important artistic personalities of the time between and , Pirandello entered the movement of Scuola Romana, distinguishing himself for originality and solitary exploration. His painting tends towards a quotidian realism manifested at times in the more unpleasant and pitiless aspects of life, expressed through a dense and thorny pictorial matter.[2] His vision is an intellectualist one, which however translates even the most brutal naturalist datum into a sort of magic realism with an archaic and metaphysical taste.[3]
Pirandello's style goes from cubism, to tonalism, to realist-expressionist forms:[4] Important in this period was his participation to the activities of literary magazine "Corrente di Vita".
Fausto pirandello biography of rory Avant-garde movements. Premodern , Modern and Contemporary art movements. Matitti, Fausto Pirandello. Composizione con nudi e pantofole gialle Donne con salamandra La Scala Il bagno La pioggia d'oro Crocifissione laica Spiaggia affollataPirandello's work became an impressive testimony of a poet who interpreted in painting the analysing and psychological spirit of his father Luigi.[5]
Pirandello changed his style around the s, re-absorbing influences from the cubists (i.e., Georges Braque and Pablo Picasso), and thus living the troubled and difficult phase affecting the whole Italian painting art, between "realism" and "neocubism", yet achieving through the deformations of an expressionist approach, original formal solutions in between abstraction and figuration[6] His paintwork sought a new definition, with a strong reference to a cubist syntax in the colour tassellations and in those compositions where the narrative datum gradually loses importance.
He exhibited widely, during the whole course of his artistic life, with displays at the various Biennales[7] at the Roman Quadriennales, and personal expos at the Galleria della Cometa, Galleria del Secolo, Gallery of Rome. Among those after World War II, noticeable were his anthological exhibition at Ente Premi Roma in , the persona of at the Catherine Viviano Gallery of New York City and the personal at "Nuova Pesa " of Rome in
See also
Notes
- ^Cf.
C. Gian Ferrari, Fausto Pirandello, Rome See also Biographical Note, on and photo with father Luigi.
Fausto pirandello biography of rory anderson Capobianco, C. His first art teacher was Sigismondo Lipinsky, a symbolist sculptor and engraver, with whom he took a one-year drawing course in During the s, there were still numerous national awards for his long career as an artist: in Pirandello was among the painters of the Roman School who received prizes at the XIII Quadriennale Nazionale d'Arte in Rome, in he received the Michetti Prize and in the Villa Prize. Support us to keep it free.Accessed 31 May
- ^Cf. F. Negri Arnoldi, Storia dell'Arte Moderna, Milan , pp. –
- ^E.g., see images of Composizione con nudi e pantofole gialle, ("Composition with nudes and yellow slippers"), Donne con salamandra, ("Women with salamander"), Crocifissione laica, ("Lay Crucifixion"). See also the concomitant style of Emanuele Cavalli.
- ^Art critic Gianfranco Contini for instance, calls it an example of "expressionist painting" in a letter to writer Carlo Emilio Gadda, cf.Fausto pirandello biography of rory and dean The trip was a real escape, an attempt to get away from his father's psychological conditioning but also an opportunity to experiment with new solutions in his painting. After the war, he did not resume his studies and manifested the desire to devote himself to sculpture even though, again due to health problems, he was soon forced to switch to painting already practised as a hobby in the Pirandello household, both by his father and his older brother, Stefano. Camilleri, Biography of the changed son. Fausto Pirandello follow artist Italian —
Carlo Emilio Gadda, Lettere a Gianfranco Contini ("Letters to Contini"), /, Milan, , p
- ^Among his best known paintings of this phase, to be mentioned are Il bagno, , La pioggia d'oro (Rain of gold), , La Scala ; also noticeable his still lifes and a variant of The Bathers, in the cubist manner.
- ^E.g., his Natura morta (Still life), , Roma, private collection.
- ^Cf., int.
al., image of Biennale room dedicated to Pirandello, with his La scala (The ladder) well visible in the background.
Bibliography
- Fausto Pirandello –, catalogue by G. Appella e G. Giuffrè, Macerata (with bibliography)
- C. Gian Ferrari, Fausto Pirandello, Rome
- Guttuso, Pirandello, Ziveri, Realismo a Rome –, catalogue by F.
D'Amico, critical notes by F.R. Morelli, Rome
- Fausto Pirandello, catalogue by G. Gian Ferrari, with essays by M. Fagiolo, F. Matitti, F. Gualdoni, M. Quesada, Milan
- M. Fagiolo Dell'Arco, Scuola romana: pittura e scultura a Roma dal al , Rome
- M. Fagiolo Dell'Arco, Valerio Rivosecchi, Emily Braun, Scuola romana.
Artisti tra le due guerre, Milan
- Scuola romana, catalogue by o and cchi, with ed.Fausto pirandello biography of rory mcilroy Download as PDF Printable version. Link copied to clipboard! He exhibited widely, during the whole course of his artistic life, with displays at the various Biennales [ 7 ] at the Roman Quadriennales , and personal expos at the Galleria della Cometa , Galleria del Secolo, Gallery of Rome. In Interior in the Morning , Pompidou Centre, Paris a woman is fragmented by her own reflection, another is inexplicably cut off at the waist, while a picture of a mother and child, torn from a newspaper, looms unnaturally large.
by F.R. Morelli, Milan
- G. Castelfranco, D. Durbe, La Scuola romana dal al , Rome
- Roma sotto le stelle (Rome under the stars), catalogue by N. Vespignani, M. Fagiolo, V. Rivosecchi, ed. by I. Montesi, Rome
- General Catalogue of Galleria comunale d'arte moderna e contemporanea, ed.
by G. Bonasegale, Rome